A blunt critique of game criticism Note: This essay has gone through a couple drafts based off extensive feedback which you can read below in the comments.
Sample Critique by Wendy R. Oliver The vivid description in this student critique makes it exceptional. It also includes a strong introduction and conclusion; grounded analysis, interpretation, and evaluation; strong flow, and appropriate use of language conventions.
The writer was able to create a strong thesis for the entire paper as well as thesis sentences for individual dances. The performance featured eleven unique and nerve-wracking pieces that each presented a different aspect of the sheer power of gravity and the human body.
Popular hits from several different decades play before the show and during intermissions. The set credited to Michael Casselli calls attention to a red and blue color scheme and an interesting arrangement of jumbled equipment, including poles, scaffolding, and various machines placed about the stage.
The performers are not distinguished by their gender through their costuming; they all wear a series of sports tights and fitted shirts in dark, solid colors, with various colored or white crescent slashes. The bodies become free-flowing and unrestricted as they intersect creatively as their supporting ropes coil about the pole.
They float and swim through the air in slow motion, as if they were in a giant pool of water.
The two simply lie supine on air, swinging farther and farther from the pole as their ropes unwind and they gracefully soar above the stage; the performers defy gravity on almost all levels. The camera located at the top of the pole magnifies the aerial view of the performers, illustrating their control, fearlessness, and precision while soaring through the air.
Six people perform lying down on a blue floor while an overhead camera projects their images onthe giant screen behind them; the live feed of moving dancers lying down on the blue floor, when projected vertically on the back wall, creates gravitational confusion.
The ground seems frictionless against their slippery unitards and the bodies slide effortlessly across the surface. At first, the scene is baffling: The bodies resemble amoebas that are blubbering about under an electron microscope.
However, as the work progresses, humor becomes visible and the images are comprehended. When the dancers crunch and creep along the floor, feet braced against its back edge, their images walk awkwardly erect on the wall.
The image of a gravity-free world is one that is difficult to imitate, yet Streb does the near impossible, per usual.
The dancers slam into the Plexiglass wall like birds flying into a bay window; the Plexiglass is amplified to stress the impact, but the impact cannot go unnoticed by any living being with the capability of vision in the theater.
The dancers dive, run, hop, leap, and bend over around and under the strap; they even walk on it as if it were a tightrope at the top of a circus tent. The men and women can jump on independently, perch a second, and jump off, which ultimately leads to a horde of crazy racing fumbles.
Four people rotate a female dancer balanced atop the strap in a ballet attitude until her legunfolds into a balanced, straight, vertical arabesque. This work is yet another example of a witty and imaginative blend of dance, circus, and extreme sports.
The strap appears to barely move as the performers maneuver on and off it, but at each human impact, video cameras set up near its end project on the back screen a vivid frenzy of vibration. Additionally, the audible noises the dancers make as they slam into the strap all at once and hit the floor beneath it convey impact pretty expressively.
The most crystal-clear memory of this show was that the dancers fell down—very hard and from very high. The company essentially toyed with physics: Dancers bounced over and on one another, pulled each other with ropes, jumped into Plexiglass, hung from hoops, and slid across surfaces.
The performers yelled cues and thudded onto mats. There was nothing fake or abstract about this show.
The work that Streb does is labeled dance, but it is also something more than that. It is physical brute strength and power against the rules of nature. She pushes herself and her dancers right to the very edge; furthermore, she pushes her audience members there, too.
With this performance, Streb has made her point. These dancers are pioneers and champions; even as they thrill the audience with spectacle and theatricality, they are testing what human beings can accomplish.
This is an excerpt from Writing About Dance. The above excerpt is from:Jessica Osteen Dance critique April 15, One of the dance shows that I attended was a dance concert, on March 31, A dance show that was put on by dance faculty staff and students and I must say, I really enjoyed myself.
The following outline is provided as an overview of and topical guide to dance. Dance – human movement either used as a form of expression or presented in a social, spiritual or performance setting. Choreography is the art of making dances, and the person who does this is called a choreographer.
Definitions of what constitutes dance are dependent on social, cultural, aesthetic, artistic. Chrystine brouillet essay enculturacion aculturacion transculturation dance from both, i want to write a live 2.
Consequently, views on when writing a critique essays about life essay, views. Chrystine brouillet essay business related. Guidelines for Viewing Dance and Writing Critiques for Dance Performances By Myra Daleng, Richmond Department of Theatre & Dance (printable version here) Chance favors a prepared mind!
A mind is like a parachute; it works best when it’s open! The creative critic approaches each concert with open eyes and an open mind. Dance Critique. Dance Critique Fall Dance Ensemble “In Concert” The critique presented below consists of a brief commentary on each dance performed in the Fall Dance Ensemble “In Concert” , followed by an in -depth discussion and 2 showgirl attire and Gary Cooper look with the hat, striped suit, and the suspenders made.
WANGARATTA FESTIVAL OF DANCE INC. SCHEDULE FOR DATES: th of May th of May VENUE: WANGARATTA PERFORMING ARTS CENTRE Ovens Street, WANGARATTA.
HISTORY - WANGARATTA FESTIVAL OF DANCE In , the first dance competition was held under the Wangaratta Eisteddfod Society.