But this is a record that grabs attention right from the start, with its surfeit of invention, ideas and imagination. Glyn's music is difficult to get a handle on at first, with so many first-impressions forming a bewildering headlong rush through the ears. The kinda spaghetti-western-smalltown image that might readily be conjured up by the album's title is one that translates into the slightly cheesy musical idiom Glyn adopts on Yahoo! And, in keeping with those tales of the old West too I suppose, Glyn's writing displays a strong sense of narrative too, as proved by the eight-minute epic Ballad Of Deano.
The family moved to Vienna in His mother died in Kraus enrolled as a law student at the University of Vienna in Beginning in April of the same year, he began contributing to the paper Wiener Literaturzeitung, starting with a critique of Gerhart Hauptmann 's The Weavers.
Around that time, he unsuccessfully tried to perform as an actor in a small theater. Inhe changed his field of studies to philosophy and German literature. He discontinued his studies in His friendship with Peter Altenberg began about this time. InKraus broke from this group with a biting satire, Die demolierte Literatur Demolished Literatureand was named Vienna correspondent for the newspaper Breslauer Zeitung.
Many lawsuits by various offended parties followed in later years. Also inKraus found out that his publisher, Moriz Frisch, had taken over his magazine while he was absent on a months-long journey.
Frisch had registered the magazine's front cover as a trademark and published the Neue Fackel New Torch. Kraus sued and won.
Die Fackel printed what Kraus wanted to be printed. Afterhowever, Kraus was usually the sole author. Kraus's work was published nearly exclusively in Die Fackel, of which irregularly issued numbers appeared in total. Die Fackel targeted corruption, journalists and brutish behaviour.
In addition to his writings, Kraus gave numerous highly influential public readings during his career, put on approximately one-man performances between and in which he read from the dramas of Bertolt BrechtGerhart HauptmannJohann NestroyGoetheand Shakespeareand also performed Offenbach 's operettas, accompanied by piano and singing all the roles himself.
Elias Canettiwho regularly attended Kraus's lectures, titled the second volume of his autobiography "Die Fackel" im Ohr "The Torch" in the Ear in reference to the magazine and its author. At the peak of his popularity, Kraus's lectures attracted four thousand people, and his magazine sold forty thousand copies.
Wedekind's works are considered among the precursors of expressionism, but inwhen expressionist poets like Richard Dehmel began producing war propaganda, Kraus became a fierce critic of them. One controversy arose with the text Die Orgie, which exposed how the newspaper Neue Freie Presse was blatantly supporting Austria's Liberal Party 's election campaign; the text was conceived as a guerrilla prank and sent as a fake letter to the newspaper Die Fackel would publish it later in ; the enraged editor, who fell for the trick, responded by suing Kraus for "disturbing the serious business of politicians and editors".
Kraus's masterpiece is generally considered to be the massive satirical play about the First World WarDie letzten Tage der Menschheit The Last Days of Mankindwhich combines dialogue from contemporary documents with apocalyptic fantasy and commentary by two characters called "the Grumbler" and "the Optimist".
Kraus began to write the play in and first published it as a series of special Fackel issues in The Bad Shepherds - By Hook Or By Crook (Monsoon) Transfiguring punk classics into folk songs, those who hadn't actually heard the debut album by Adrian Edmondson, Maartin Allcock, Andy Dinan, and Troy Donockley might have thought it was a bit of a gimmick.
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